Upstartcrowthecomedy – Shakespeare Gets Silly in spectacular fashion during Season 2 of Upstart Crow, where literary genius meets over-the-top absurdity. The show, a clever satire of the life of William Shakespeare, takes bold comedic turns that fans have celebrated online. From gender politics to theatrical rivalries, the second season is packed with laugh-out-loud moments that cleverly twist historical fiction into brilliant farce.
One of the most memorable scenes finds Shakespeare attempting to write a feminist play. The only problem? He has absolutely no grasp of feminism. This leads to a hilariously awkward clash with his quick-witted housekeeper, Kate. The scene walks a fine line between social commentary and slapstick comedy, making it both thought-provoking and ridiculous in the best way possible.
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Again, Shakespeare Gets Silly as the Bard’s insecurities bubble to the surface this time over the growing popularity of his real-life contemporary, Christopher Marlowe. In a moment of theatrical meltdown, Shakespeare launches into a poetic rant that’s half jealousy, half dramatic nonsense. His tantrum is so absurd, it feels like Shakespeare himself is being parodied by a version of his own characters.
These rivalries form the backbone of much of the season’s humor, as they allow the writers to showcase not only Shakespeare’s wit, but also his spectacular lack of self-awareness. Whether he’s inventing new words on a whim or misinterpreting progressive ideas, the result is comedic gold.
Shakespeare Gets Silly wouldn’t land nearly as well without David Mitchell’s impeccable performance. His comic timing—whether through rapid wordplay, exaggerated expressions, or deadpan delivery—elevates every scene. Even minor moments become unforgettable thanks to his ability to make the Bard both brilliant and blissfully clueless.
Mitchell doesn’t just play Shakespeare for laughs; he transforms him into a timeless comedy figure. It’s not just that Upstart Crow is funny it’s that Mitchell makes you believe Shakespeare was always meant to be funny. That’s the real triumph of Season 2: turning the world’s most famous playwright into one of its most unexpected comedians.
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